When Can’t Becomes I Can

This past weekend we had a wonderful workshop with Joe MacKecknie, appropriately titled the “I Can’t Paint a Portrait” Workshop.

For two days, Joe patiently worked with 12 students who had the interest and passion to paint people, but may or may not have had the courage until now to tackle this endeavor. Some of the students came from a background of experience painting and drawing and some were novices.

As with so many of our classes, people often comment how encouraging and helpful our instructors are.  One of Joe’s students, Priscilla wrote this to me today:

“Thank you, Denise! I learned so much from Joe MacKechnie, and was fascinated by some of the techniques in obtaining a likeness. Having taken classes in forensics and composite drawing for law enforcement, I saw that his grid was a bit different, but it all falls under the category of getting things in the right place. Using the powdered charcoal was a new experience as was loosely painting in watercolor before the drawing. And I had fun with those water soluble pens! I ventured totally out of my regular realm, and well worth the trip. Your comments on how the left/right brain work when taking a workshop made total sense. My specialty is aviation art and I am looking to put more figures into my aviation paintings.

On another note, for me coming from Sequim, Edmonds is an easy drive and ferry ride. The Best Western Harbor Inn is within walking distance of the ferry, the gallery and numerous places to eat. This was the second workshop I attended with you and I hope to attend more in the future.”

Take a look at this portrait Priscilla made during the workshop.

We have many more great workshops scheduled for 2012. I hope you try one out if you have not done so before!


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Our Fifth Anniversary Gala

This last Saturday, our Annual Anniversary Gala bustled with excitement all evening long as we celebrated five great years.

Despite the snow, our treasured patrons came out in support and to enjoy some good old fashioned merriment with wine, hors d’oeuvres catered by Shorecrest High School Culinary Arts lead by Tammi Johnston, and live jazz music by the renowned Richard Cole Trio.

The gallery hummed with excitement showcasing over 70 new pieces brought in for the anniversary. If you missed the party, you can still see the show which will be up through mid-February and on our website. We also will be taking part as always in Art Walk this Thursday unless it dumps snow on Edmonds.

As part of all the festivities, we are offering 10% off all paintings until Sunday January 29th. We’ve extended that date (originally until the 22nd) due to the snowy weather, so more people have a chance to get into Edmonds. This includes pieces put on lay-a-way.


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Sharing the Joy of Art

I, Bev Jozwiak, will be teaching a watercolor art class “Thinking Outside the Box” at Cole Gallery in March.

For those of you who don’t know me, I come from a family of artists, and have always done art. It wasn’t until my 30′s that I really got serious about art. I had graduated with Honors and a Fine Arts degree (and an art history minor), but didn’t know what to do with it, and so I went to work at a job I had no real interest in. It just paid the bills.

After an early midlife crisis, and realized that I had always wanted to be an artist. I started entering local shows, and the rest in history. I am now signature member of every major watercolor society, most notably The American Watercolor Society, The National Watercolor Society, Watercolor West and NWWS. I have had a plethora of magazine articles in everything from The Artist, Watercolor, to International Artist Magazine, and more. Art is my joy and my job.

During my March Watercolor workshop at Cole Gallery, I will twice a day, with plenty of time for students to paint and receive help. On the last day, after demo, while students are finishing up, I usually do a critique.

In my class you will learn valuable information on painting figures. What materials work best, as well as all the do’s and don’ts of watercolor. This no-nonsense approach will break down facial features and skin tones. Even though figures are my love, there is also time spent on animals, and still lifes.

The learning outcomes for this class are:

  1. Learn to paint expressive figures.
  2. Placing figures in a painting.
  3. Color recipes for good skin tones.
  4. Good ways to paint hair.
  5. How to choose good photographs to work from.
  6. Loosening up, and getting out of the lines.
  7. Good grays, vibrant colors, rich blacks, and lots of varied colors within your subject.

I look forward to having you join me in sharing the joy of art! The class is currently full, but you can call and be placed on the waiting list. More information about the class can be found on Cole Gallery’s website.


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True North

Jannelle Loewen is one of Cole Gallery’s award-winning artists. In this essay, she shares with us her journey to finding her True North.

True North is represented on maps and globes by the meridians of longitude which converge at the North Pole. This means that true north is according to the earth’s axis, not magnetic north. A compass will guide you to magnetic north, a point in the arctic regions of Canada that continually shifts location based on the activity of the earth’s magnetic fields.

Fluid iron in the planet’s core acts like a huge magnet, creating a relatively weak magnetic field. Fascinating when you think about it, the magnetic core shifting like a forever ocean below all that ice and snow.

In days before GPS technology, sailors and travelers and ancients relied on the stars, moon, and sun, along with the help of compasses the Chinese invented in the first century. They learned to fix on a lodestar, or a star that shows the way. In the northern hemisphere, the North Star, or Polaris is the lodestar that guides you true north. The southern hemisphere doesn’t have a star comparable to Polaris, but the Southern Cross constellation provides a good approximation of where south lies.

So how does this relate to the artist’s life?  While there is a lot of advice geared at artists, it seems to me that artists sometimes need to be steered toward their inner selves. Your true north is your internal compass that guides and helps you find your way around this spinning planet. Your true north also is a guiding principal; revealing your most cherished values, passions, and motivations. With your true north in mind, you’re focused, enlarged, and not blown off course.

For many of us, painting is linked to our true north, and is also our haven, our shelter in the world.  Doing art means we’ve found our way home, and it offers solace, inspiration, and companionship. Now, of course, all these are found in our relationships and other interests, but while crafting art, our meaning for being is most apparent. For me painting provides ballast and solace. When I’m not doing art, I’m off kilter, restless, and sometimes resentful of the tasks that steal time from art making.

My Epiphany

I want to tell you a little story about an epiphany that I had some years back that has been particularly meaningful, because I hope you can connect it to your art and your own true north. I realized I was the fastest runner (and the most monkey-like while climbing monkey bars and trees) at school when I was about six and from that moment on, my days were spent outdoors, climbing and racing about, whenever possible. I’d come home after school running, bike riding, tree climbing (sometimes swaying at the tree top in high winds) As I felt the bliss of streaming hair blowing back in the wind I dreamed of Olympic wins, arms raised in happy triumph to the roar of viewing crowds.  And as the sun set, the sky bruised and lonely, I’d practice a twirl around the clothesline bar.

Later, at bedtime, I’d imagine hitting home runs and winning races on stilts.  Sometimes I would steal out into the night to pedal my bike down the empty street, balanced with arms outstretched, at one with the breeze and the gem-filled sky.  And I got nowhere.  I knew how to live in the moment but didn’t have a clue how to fit that into society, how to plan for a whole life of work and the professionalism that would give me meaning.

In reality we were poor and I was the unfocused, happy-go-lucky, third of three siblings.  There wasn’t even anything left for me to pray about at our mandatory morning devotions.  I had no heroines, identified with no one, yet hoping and yearning for sophisticated discussion and realization of subtle nuances.  I drew pictures, colored in notebooks and studied values of blue and purple on mountains.  I thrived in a secret fort surrounded by a hundred dappled greens trailing over the walls and down railings.  My heart thrilled at seeing stripes of sunlight on colored stones.  I wanted a life brimming with meaning.

As the years piled up, my confidence in some of my abilities thinned, and it all began with those girlish aspirations poorly cultivated and not consciously realized. Then years later, I was remembering the bruised sky at dusk, feeling the chill seep into my bones, my toes growing numb. And I wanted a teacher or anyone to encourage me.  How can anyone realize artistic expression, with all that it means?  No wonder my dreams were never realized.

But I had those who encouraged me to draw, to paint, to be a part of an artistic community.  There were a few who saw a glimmer in me that I didn’t believe in even though I loved art from the first. Life is much different for me now, but not only because I’m older. I’ve reframed my sense of self; have written two illustrated books, joined exclusive art communities, have been accepted into local, regional and international juried art shows, am represented by two wonderful galleries and am teaching other talented artists.  I have faith in my abilities realizing that they came not only from interest and talent but also from persistence and stamina. And I’m always learning.

In the next weeks, as you contemplate your resolution to lose a few pounds or other goals for 2012, I encourage you to take time and reflect on your true north. Poke around within. What do you stand for? What scares you? What inspires you?  What sort of unfinished business is buried within? That will bring meaning to your days? How will you connect to yourself and the world?


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Published in: on January 7, 2012 at 9:07 am  Leave a Comment  
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Celebrate with Us

This month we (Cole Gallery) celebrate five years in business. With galleries across the country closing their doors at a mournfully rapid rate, the healthy growth and continually bustling arts scene at Cole Gallery comes as a welcome celebration.

Five years ago, Cole Gallery opened when Denise Cole, proprietor, acted upon her dream of bringing a national class gallery to Edmonds. When the gallery opened in December of 2006, Denise Cole had no idea how much it would grow.  Cole Gallery initially represented about 12 artists who for the most part were local. Over the last five years we have grown to represent over 45 artists.

Still specializing in Northwest artists, the gallery now shows artists from Alaska to Arizona in all mediums including sculpture and jewelry. We have grown from being a lovely little community gallery to being nationally known. Denise says, “The fact that we sell paintings to people all over the country has been a big and wonderful surprise.”

Cole Gallery has also grown our art instruction component. We have gone from having maybe one class or workshop a month to now having multiple weekly classes and workshops almost every weekend.

When asked about what Denise sees for the gallery in the next five years, she simply replies, “New ideas to develop, more growth to come.” Cole Gallery is about connecting people to the arts. Whether that means helping people find beautiful original art for their homes or businesses or helping them discover the artist within.

Cole Gallery will commemorate our fifth year with a gala event on Saturday, January 14th from 6 to 9 pm. Enjoy hors d’oeuvres, wine, music, and of course, spectacular art with over 70 new pieces brought in for the anniversary. Come celebrate with us.

(contributed by Shannon Black)


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